A veteran in the Indian M&E industry, he commenced his career as an Associate Director and Controller of Production with the well-known director Ashit Sen, with whom he made several films, including Khamoshi, Safar and Anokhi Raat before ventured into producing films on his own. His biggest hit was the Amitabh Bachchan starrer Shahenshah. Naresh realized early the potential boom in the Indian television industry. He set up India’s first digital audio studio in the 90s and also started providing equipment rental services to TV and ad film makers. Naresh was Chairman of the Board from 1997 to June 2014.
Founder, Non - Executive Director – Prime Focus
As the founder of Prime Focus, Namit has been responsible for the strategy, growth and success of Prime Focus from its modest beginnings in Mumbai in 1997 to its current position as the world’s largest independent and integrated media services powerhouse. Namit’s perpetual optimism and entrepreneurial spirit is written throughout the Prime Focus identity. Actively seeking out projects that will expand the strengths of the company, and challenge its team to push themselves to the next level, Namit is devoted to nurturing talent and ambition, and to delivering his clients world-class creative and technical services, and intelligent financial solutions. Namit is the poster boy of Indian entrepreneurship in Hollywood.
Chief Creative Director & Co-founder
In a career spanning over two decades Merzin has led and inspired global teams on multiple projects, and mentored the careers and lives of countless artists, professionals and producers. Merzin leads the creative services function and his many responsibilities span business development, customer relations, creative strategy, delivery planning, talent management, technology acquisition and financial oversight. As Chief Creative Director he oversees planning and delivery of shows for content markets including Hollywood and Bollywood. As Co-founder, Merzin champions creative collaboration, technology leverage and talent optimization through a sustainable global digital pipeline, one of our biggest trump cards in the industry. Merzin’s ability to manipulate technology platforms and passion to build new services have been the backbone of our expansion strategy.
Co-founder and Creative Director (Advertising)
Prakash is one of the most popular editors today in advertising. A comic illustrator at heart with a number of published illustrated books to his credit, Prakash worked as a 2D animation instructor prior to co-founding Prime Focus. He heads the creative function for our Advertising division in India and also directs broadcast packaging and design. Projects he has worked on have won numerous awards such as Cannes Lions, Ad Fest Asia Pacific, Promax and Adclub. Some of his personal achievements include 3 Abbies, Smoke Artist Of The Year and the Golden Cursor Animation Award (Best Animation-Live Action combo).
Co-founder and Creative Director (Advertising)
Huzefa has worked with just about every advertising agency and advertising film maker in India. He has edited 3 feature films including the cult classic Delhi Belly that won him the Screen and Filmfare Awards for best editing in 2012. Other major credits include 7 Abby Awards, an entry in the D & AD Book of Awards and an Asia Image Apollo Award. Huzefa has been part of acclaimed projects at the Green Oscars, London International Awards, Cannes, Spikes Asia, New York and Berlin Film Festivals.Huzefa has conceived and directed VFX, packaging and title sequences for a number of feature films. As guest lecturer at the prestigious Film & Television Training Institute of India, Huzefa conducts workshops for aspiring editors and finishing artists.
Chief Financial Officer
Nishant Fadia is the Chief Financial Officer for Prime Focus Limited and the face of Prime Focus for the financial community. He has been with Prime Focus since 2000, and was the company’s first CFO, taking the company public in 2006. In 2014 he took up the role of Group Chief Operating Officer, to identify new expansion opportunities and drive overall operational efficiencies for the quickly expanding Prime Focus group, before returning to the position of CFO of the parent company, Prime Focus Limited. His role includes crafting the strategy and direction of the group to enhance value for all stakeholders.
Chief Financial Officer, DNEG
Vikas has over 17 years in Corporate Finance, TMT (Telecom, Media and Technology) Investment Banking, Capital Markets and M&A across US, Europe and Asia. Before this, Vikas was Head - Corporate Finance and M&A at Suzlon Energy, Principal - TMT Investment Banking at Bank of America Merrill Lynch and Executive Director - TMT Investment Banking at ABN AMRO. Vikas is a CFA, an MBA in Finance from the R.H. Smith School of Business, University of Maryland and an Engineering graduate from Delhi Institute of Technology, Delhi University.
Senior Vice President, Films and Commercials
Niraj is the face of Prime Focus in Bollywood. Since joining in 2007, Niraj has been instrumental in growing Prime Focus’ creative services business facing Bollywood and the advertising industry, as well as the equipment rental business. Having started at Prime Focus as Head of Procurement and Operations, Niraj quickly worked his way up to head the equipment rental business addressing Bollywood and the South Indian film market. Success in this area led to him being entrusted with greater responsibility of managing the Films and Commercials business of Prime Focus in Hyderabad and Chennai. Niraj also played a key role in setting up Prime Focus' state-of-the-art studios at Royal Palms in Mumbai.
Creative Head, DI
Ashirwad comes with over a decade of experience as a Colorist and has graded over 150 films in the lab as an Analyzer Colorist and over 80 films as a DI Colorist. Some of his biggest Bollywood projects include Murder 2, No One Killed Jessica, F.A.L.T.U, Parineeta, Chameli, Taare Zameen Par, Jab we Met, Rab ne Banadi Jodi, Kanchivaram, Blue and Love Aaj Kal. He has also worked on many short films for the Film and Television Institute of India, including highly acclaimed projects like Chaabiwali Pocket watch which won the Kodak Asia-Pacific Award for Best Short Film & Cinematography and Girini which won the National Award for Best Cinematography.
Prior to joining Prime Focus, Ashirwad was working with Adlabs Films Ltd. He holds a Bachelor of Science Degree and a post-graduate diploma in Computer Technology.
SManoj C.P.K Verma
S Manoj’s career as a colorist started with the first Digital Intermediate (DI) project in India for Harry Baweja’sQayamatin 2003 at Prime Focus. Following this were a series of blockbusters like Shaitan, Tees Mar Khan, Guru, Om Shanti Om, Chak de India, Jodha Akbar and Black, to name but a few.
In his capacity as a Colorist, he has been a part of over 100 optical and DI for over 75 feature films. With over 18 years of experience and having worked with the top cinematographers and filmmakers, today S Manoj is one of the most sought after colorists in India. S Manoj has also worked as an editor in the past wherein he has successfully delivered numerous TV soaps, ad films and music videos.
Senior Creative, Advertising
Rodney is an extremely talented and experienced Senior Creative with our advertising post team. However, what many don’t know is that he once ran his own restaurant and would’ve potentially been a flight attendant if it wasn’t for a friend introducing him to the world of post-production.
A favorite amongst some of India’s largest advertising agencies, Rodney has been responsible for the successful completion of a number of significant campaigns. His credits include commercials for Coca Cola, Pepsi, Dove, Fair & Lovely, Ponds, Cadbury, Hyundai, and Bajaj Pulsar among several others. Rodney has also contributed to many notable projects which have won awards such as Abby, Cannes and Ad Fest Asia Pacific.
Starting his career at Prime Focus, Rodney is a powerhouse of talent, creativity and dedication, and has great team relations, excellent management and communication skills and over 15 years of experience behind him.
Sr. Colourist - Advertising
Amit Mishra comes with a total experience of more than 8 years. He is a skilled film colorist and has worked on high quality commercials, music videos, web series and feature films. He is an expert in Baselight & Reslove machines. After finishing his BA from Delhi university, Amit pursued his dream to learn the techniques of editing and color grading by doing multiple courses to enhance his knowledge in the industry.
Amit has worked with various top post production houses in India, Dubai and Australia. He has worked with UTV Motion Picture, Disney, Zaiy Media, Filmlyok Media and many more. Some of his projects worked on are TVC - Asus, Myntra | Music Videov - JazzyB, Garman Gun, Amrit maan | Film - Chaar Cup , Keeppunch , Koun Kuon Hain, Pachies |Web Series – Alisha, Wrong Number, basement Company, Galti Se mistake, Love and date, lockdown main breakdown.
Amit has joined the Khar Division at Prime Focus Limited as the Sr Colorist
Senior Online Artist – Advertising
Sumanth started his career two decades ago in the post-production industry with Western Outdoor as an online artist. Having worked for more than 8 years with Western Outdoor with all the leading ad film directors, he decided to move on to join Pixion Studio as a Senior Quantel Artist.
He was instrumental in delivering high-end compositing projects and also managed to win a Cannes – Silver. He later moved on to join Prime Focus and served many top production houses like Equinox, QED, Breathless, 120 Media Collective and many more. His major brands include Volkswagen, Titan, Cadbury, Airtel and Nestle. Before starting his career he was a passionate photographer which led him to this industry.
Harmeet 'Sunny' Singh
Not wanting to get involved in his family’s business enterprise, Harmeet aka ‘Sunny’ began ‘hanging out’ at the Prime Focus office, and soon grew to become a professional Colorist.
Since then, Sunny has graded over 300 ad films, numerous music videos and over 75 movies including Bollywood blockbusters Partner, Chalo Dilli, Patiala House, Race, Mangal Pandey: The Rising, Chandni Chowk to China, Bachna-ae-Haseeno, Musafir and Salaam-e-Ishq. He also holds the distinction of being one of the first artists in India to have graded a feature film on the Lustre® color grading software.
Sunny has worked on a diverse range of commercials for brands such as Sony, Cadbury, Coca Cola, Maggi, Airtel, Ford, Lux, Fair and Lovely, Sunsilk, LG, Nestle, Kellogg’s, HP, Maruti, Electrolux, Maruti Suzuki and Nescafe to name a few.
Xavier started his career with Prime Focus as an Editor in 2003. After working on TV commercials and music videos, he soon moved on to title sequences and digital film packaging for big banner film projects like Bhoolbhulaya, Golmaal, Welcome, De Dana Dan, Quick Gun Murugun and Shakti, to name a few. In his capacity as an editor, he has also worked on various movie trailers for films including Pyaarke Side Effects, Race and Babul.
In 2008, he progressed to grading full length feature films. Apart from Bollywood movies like My Name is Anthony Gonsalves and Ektho Chance, he also had the opportunity to work on various regional films like Jalsa (Telugu), John Apparao (Telugu) and Mansare(Kannada).
Xavier holds a Diploma in Hardware Engineering from the Government Institute of Polytechnic and has completed a photography course from St. Xavier’s Institute, Mumbai.
Anastasia Chervonna, born and brought up in Ukraine, she graduated from Kiev National University of Culture and Arts in Cinematography. On acquiring expertise in working for television, learning the tricks of the trade with her engagement in various reality shows, documentary films, and diverse projects of versatile genres her work exhibits the essence of the content created.
Her colorist endeavors include working for Ukrainian Singer Jamala, Spanish artist Fusa Nocta's music video, Cloudless, Sôra, Sergio Palau, INGRET, Art Demur, Parimatch, ABUSH, SweetTV, Producciones Itac, Cast, European Esports Club, etc.
Her grasp of composition, light, and camera specifics allows her to easily correct imperfections and complete a shot.
Supervising Colorist and Visuals Consultant
Andreas does not need much of an introduction.
He started in India in 2017 and in no time made himself a name in the movie and OTT field.
He was responsible for the international looks of: Paatal lok, Sacred Games 2, Delhi Crime 2, The Family Man, Mumbai Diaries, Shakuntala Devi, Choked, Breathe, Raat Akeli Hai, Lady of heaven and many more. Andreas is a technology pioneer who introduced the ACES standard to the Asian market and was the first to work on HDR Dolby Vision projects in India.
He also consulted production companies and OTT platforms with his unique skill set of visual direction in planning and execution of their projects.
Andreas: “DoPs have really so much on their shoulders. I try to support wherever I can. It starts with the discussing ideas for the looks according to the script, then developing the show-luts on set incl. a solid dailies process and of course the finishing process. I rather work hard in pre-production than in post production”.
Senior Creative, Advertising
An abundance of creativity and enthusiasm, the introverted Vivian started his career as an animator and compositor, moving on to becoming one of the best Online Artists in the industry, best known for churning out widely appreciated work in record time.
A black belt in Shorin Ryu Karate, Vivian has worked on commercials for brand such as Adidas, MTV, Edelweiss, Fevicol, Nokia, Reliance, Toyota, Garnier, Lux, Sunsilk and Hindustan Times, as well as title sequences for movies including Tasveer 8x11, Kurbaan, Guzaarish, Saawariya, Ghajini, Omkara and Lage Raho Munna Bhai.
Extremely inquisitive about technology, Vivian is always eager to try different things and has over 500 commercials as well various title sequences and music videos to his credit.
Initially a commerce graduate, Ankit steered towards Editing as a more satisfying option.
Also a fitness freak, Ankit has worked on the Aerostat visuals for the Commonwealth Games 2010, and was responsible for the tedious task of editing the awe-inspiring DLF IPL series in real time. He also created packages including 'Super 4s', 'Super 6s', 'Fall of Wickets', 'Post-match Presentation' and 'Press Conferences' for the series for multi-platform distribution – Mobile, TV, the BCCI online channel and YouTube.
Ankit has also worked on numerous commercials for various brands including Panasonic, Oreo, Park Avenue, Layer’r Shot Deodorant, Toyota, Honda, Maruti, Coca Cola, Hotstar, IPL, Ballantine’s and many more. He has also worked on the most talked about Indian TV series 24.
While maintaining a strict, no nonsense demeanor, Ankit uses encouragement and positivity as his core techniques.
Online Artist, Advertising
Renuka started her career in Prime Focus as a trainee in the advertising division. She soon moved up the ladder and today is an online artist.
Renuka has worked with some of the biggest advertising production houses like Ramesh Deo Production, Rising Sun Films Production, MAD Studios, Storyteller Productions and Early Man Films to name a few. She has worked on commercials for brands like Birla Sun Life Insurance, Tanshiq, Olx.com, Docomo and iBall among many others. In addition, she was actively involved in Anil Kapoor’s TV series 24 (Season 1) and award winning commercial Mumbai Mirror. Renuka has worked on couple of title sequences and promos for films like Kick, Cocktail, Lekar Hum Deewana Dil, Finding Fanny and Madras Café.
Renuka holds a Master in Digital Compositing and VFX degree from University of Westminster (London) and excels in software like Smoke and Nuke.
Sr. Offline Editor – Advertising
Arvin joined Prime Focus in 2016 and since then has been an integral part of the offline creative team. Having experience of over 15 years in the industry, he specializes in story telling formats like drama, humour, montage edits. His major work is for FMCG, Hair & beauty & Automobile Industry. His skill sets help convey the story to the masses in an effective way.
Technical Head, Equipment Rental
A highly talented camera and broadcast administrator, Gowrishankar joined Prime Focus in 2010. He comes with over 25 years of extensive experience in system integration, maintaining, configuring and technically supporting all motion picture cameras and television broadcast. Gowrishankar oversees the camera department, maintains equipment, remediation of equipment failures and installs new equipment including Broadcast. Additionally, he assists in the planning, repairing and monitoring of operational and engineering budgets, and is responsible for recruiting, training and monitoring of the staff.
Prior to joining Prime Focus, Gowrishankar worked as a Senior Manager in Ramoji Film City, Eenadu Television where he was instrumental in designing and developing their camera department and live studio.Gowrishankar holds a graduate degree in Physics from Madras University and has a certificate in Automobile Engineering.
Senior Producer, Digital Intermediate (DI)
Nirmal manages a team of technicians and line producers and has been instrumental in creating and streamlining processes and services thereby ensuring a seamless delivery pipeline. He has been associated with many prestigious projects including Happy New Year, Bang Bang, Kick, Dhoom 3, Cocktail, Buddha HogaTera Baap, Shaitan, Guzaarish, Sawariya, Wake up Sid, Chandni Chowk to China, Ghajini and Om Shanti Om.
With a rich experience of 17 years, Nirmal joined Prime Focus way back in 2003 as a Data Management Executive. His perseverance, sincerity, dedication and hard work have ensured a persistent upward curve in his professional career.
Executive Director, Equipment Rental
Arjun’s brush with the Media and Entertainment industry began with Prime Focus as an Operations Manager in the Digital Intermediate (DI) department where he was solely responsible for project delivery management. He spent three years building Prime Focus’ industry standing in DI after which, he moved on to a new role in the equipment rental business where he worked under the guidance of Naresh Malhotra. With his passion, dedication and strategic thinking, Arjun played a crucial role in the growth of the company’s equipment rental business, which is now the market leader in this category.
Arjun is responsible for the entire equipment rental business for the broadcast industry at Prime Focus.
He has worked with all leading broadcasters in India and is the go-to-man for organizers of marquee events like Filmfare, Screen, Star Guild, Box Office India, IIFA, GILMA and Mirchi Awards to name a few.
Vice President, Creative Services
At Prime Focus, Bhaskar drives creative excellence in the production of short & long form content. In this role he also works closely with the Software and Product Development teams at Prime Focus Technologies to help innovate and conceptualize new products and services for cloud-led production services.
Previously, Bhaskar was with Miditech, one of India’s largest television production companies as Vice President – Programming and Production. During his 12 year tenure at Miditech, Bhaskar was responsible for developing new business and strategic relationships as well as management of operations and commercials across locations. Bhaskar was also involved in the creation and development of numerous television content formats for both Indian and international broadcasters.
Bhaskar holds a Bachelor’s Degree in Commerce and a Post Graduate Diploma in Journalism and Communication.